Bernstein: The 1953 American Decca Recordings

Beethoven: Symphony No.3 In E Flat, Op.55 -"Eroica" - 1. Allegro con brio

Beethoven: Symphony No.3 In E Flat, Op.55 -"Eroica" - 2. Marcia funebre (Adagio assai)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica") - "Simplicity Itself..." (1st Movement)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica") - "I Always Feel This Gigantism" (2nd Movt.)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica") - "We Have Just Been Examining..." (3rd Movt.)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica") - "The Study Of The Eroica Is A Lifetime Work,..."

Dvořák: Symphony No.9 In E Minor, Op.95 "From The New World", B.178 - 1. Adagio - Allegro molto

Dvořák: Symphony No.9 In E Minor, Op.95 "From The New World", B.178 - 3. Scherzo (Molto vivace)

Dvořák: Symphony No.9 In E Minor, Op.95 "From The New World", B.178 - 4. Allegro con fuoco

Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No.9, Op.95, "From The New World", B.178 - 1. "Does This Music Sound Like The New World To You?" (3rd Movt., Trio II; 1st Movt.)

Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No.9, Op.95, "From The New World", B.178 - 2. "We Come Now To The Second Movement, Which Has A Charming Melody, ..." (2nd Movt.)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178 - 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No.9, op.95, "From The New World", B.178 - 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Movt.)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178 - 5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music, ..." (4th Movt.,Cont.)

Schumann: Symphony No.2 In C, Op.61 - 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco

Schumann: Symphony No.2 In C, Op.61 - 2. Scherzo (Allegro vivace)

Schumann: Symphony No.2 In C, Op.61 - 3. Adagio espresssivo

Schumann: Symphony No.2 In C, Op.61 - 4. Allegro molto vivace

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 2. "To My Mind Schumann Follows In This Tradition"

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 3. "Now Let´s Look At The Symphony Itself" (1st Movement)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 4. "And So We Have Arrived At The Allegro Section..." (1st Movt. Cont.)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 5. "In The Marvellous Scherzo That Follows..." (2nd Movt)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 6. "But Perhaps The Greatest Beauty..." (3rd Movt.)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61 - 7. "Even In The Final Movement" (4th Movt.)

Brahms: Symphony No.4 In E Minor, Op.98 - 1. Allegro non troppo

Brahms: Symphony No.4 In E Minor, Op.98 - 2. Andante moderato

Brahms: Symphony No.4 In E Minor, Op.98 - 3. Allegro giocoso - Poco meno presto - Tempo I

Brahms: Symphony No.4 In E Minor, Op.98 - 4. Allegro energico e passionato - Più allegro

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 2. "Our Journey Begins Without Introduction..."

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 3. "Do You See Now What A Symphonic Theme Is?"

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music"

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 5. "Here Is That Second Theme"

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, op.98, First Movement - 6. "This Brings Us To The Development Section Proper"

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..."

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 8. "So We Arrive At The Coda"

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement - 9. "Well, We Have Had A Microscopic Look At Symphonic Method"

Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 - 1. Adagio - Allegro non troppo

Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 - 2. Allegro con grazia

Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 - 3. Allegro molto vivace

Tchaikovsky: Symphony No. 6 In B Minor, Op. 74, TH.30 - 4. Finale (Adagio lamentoso - Andante)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 1. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 3. "Now One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales" (2nd Movt)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 4. "Jumping Now To The Famous Third Movement, The Great March..." (3rd Movt.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 5. "Perhaps The Most Admirable Example Of This Is To Be Found In The Wonderful Last Movement, ..." (4th Movt.)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique" - 6. "Now I Don´t Want To Give You The Impression That Scales Are The Only Unifying Force In This Work"