Le jazz et la pavane: L'improvisation à travers les siècles

Bombarde - Instrumental Credo, from the "Manuscript d'Apt" (Arr. for Winds, Keyboards and Percussion)

Trattado de Glosas: Recercada primera sobre tenore "El passamezzo antiguo" (Arr. for Winds, Keyboards and Percussion)

Trattado de Glosas: Recercada quarta para violone sola (Arr. for Winds, Keyboards and Percussion)

Trattado de Glosas: Recercada settima sobre tenore "La Romanesca" (Arr. for Winds, Keyboards and Percussion)

Trattado de Glosas: Recercada segunda sobre tenore "El passamezzo moderno" (Arr. for Winds, Keyboards and Percussion)

Con qué la lavaré? - Villancico After an Anonymous Song from the "Cancionero de Uppsala, 1556", No. 29 (Arr. for Winds, Keyboards and Percussion)

Toccate e correnti d'intavolatura d'organo e cembalo: Toccata VII in D Minor (With Harpsichord and Piano)

Aria sopra la Ciaconna, a voce sola "Su la cetra amorosa" - No. 1 from "Madrigali et altre musiche concertate a 1–5, Libro secondo, Op. 10, Venice, 1633" (Arr. for Winds, Keyboards and Percussion)

Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte: No. 15, Passacalle a 3 (Arr. for Winds, Keyboards and Percussion)

Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte: No. 3, L'Eroica a 3, (b) Ciaccona (Version with Cornet, Sackbut, Keyboard and Percussion)

Es steh Gott auf, SWV 356 (No. 16 from "Symphoniae sacrae II, Op. 10 - Dresden, 1647") [Arr. for Winds, Keyboards and Percussion]

El fuego - Villancico, a 4 (Arr. for Winds, Keyboards and Percussion)