Delibes: Coppélia

Coppélia ou la fille aux yeux d'émail (Ballet): Prélude (Andante - Allegro marcato)

Coppélia, Act I: No. 1, Valse

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 2, Scène (Allegretto)

Coppélia ou la fille aux yeux d'émail , Act 1: No. 3, Mazurka (Ballet)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 5, Ballade de l’épi (Moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 6, Thème slave varié (Allegretto non troppo - Variations Nos. 1-4 - Allegro non troppo)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 7, (a) Czardas - Danse hongroise (Allegro marcato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 7, (b) Sortie (Ben moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 8, Finale (Moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 9, (a) Entr'acte (Allegro moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 9, (b) Scène (Andantino con moto)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 10, Scène (Allegro - Andante quasi allegretto)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (a) Musique des automates (Allegro)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 11, (b) Scène (Allegro)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 12, Scène (Allegretto)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 13, Chanson à boire, Franz et Coppélius - Scène (Allegretto)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 14, Scène et Valse de la poupée (Andante)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 15, Scène (Allegro vivo)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 16, Boléro - Danse espagnole (Allegretto)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 17, Gigue - Danse écossaise (Allegro non troppo)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 2: No. 18, Scène (Allegro)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 19, Marche de la cloche (Allegro moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (a) Valse des heures (Moderato - Tempo di Valse)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (b) L'aurore (Moderato - Allegretto non troppo)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (c) La prière (Andante)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (d) Le travail ou la fileuse (Molto moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (e) L'hymen ou noce villageoise (Allegretto marcato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (f) La discorde et la guerre - Marche des guerriers (Allegro moderato)

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (g) La paix (Moderato)

Coppélia ou la fille aux yeux d'émail, Act 3: No. 20, Fête de la cloche - Divertissement, Danse de fête (Allegro) [Ballet]

Coppélia ou la fille aux yeux d'émail (Ballet), Act 3: No. 20, Fête de la cloche - Divertissement, (i) Galop final (Moderato - Allegro vivo)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 1, Entrance of Don Quixote - Allegro assai - Sancho Panza, saved from his pursuers, is appointed Don Quixote's squire

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 2, A Marketplace in Barcelona - Basilio's Entrance - Serenade - Jota

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 3, Appearance of Gamasch

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 4, Seguidilla

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 5, The Street Dancer - Entrance of Matadors

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 6, Dance of Espada

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 7, Their Friends (Pas de deux)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 8, Basilio with Friends (Pas de trois)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 9, Basilio and Quiteria make their escape (Coda)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 10, Gypsy Dance I (Czardas)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 11, Gypsy Dance II

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 12, Variation (Dryad's Mistresses - Remembrance of the Ball)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 13, Dance of the Dryads (Coda)

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 14, March

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 15, Fandango (Moreno's Dance) - Pas de deux

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 16, Entrée

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 17, Adagio

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 18, Quiteria's Variation I

Don Quixote (Suite after the Ballet arranged by John Lanchbery): No. 19, Finale (Spanish Dance)